New Publication: Approaches to the Qur’an in Contemporary Iran (Oxford University Press, 2019)

New Publication: Approaches to the Qur’an in Contemporary Iran (Oxford University Press, 2019)

Oxford University Press, in association with the Institute of Ismaili Studies, has recently published a new volume in its Qur’anic Studies Series, Approaches to the Qur’an in Contemporary Iran, edited by Alessandro Cancian (Senior Research Associate at the Institute of Ismaili Studies).approaches

The volume is composed of seventeen chapters that touch upon different aspects of the impact, understanding and use of the Qur’an in contemporary Iran. It covers the last two centuries of reflection on revelation and scripture in the Persian-speaking world. The collection is meant to provide academics working in the fields of the intellectual and religious history of early modern and modern Iran, as well as in Qur’anic Studies, with a comprehensive overview of the richness and plurality of Iran’s engagement with the Qur’an. It achieves this by bringing together different approaches from theology, mysticism, exegesis, reformism, cinema, music, and visual and popular culture.

Lloyd Ridgeon, Reader in Islamic Studies at the University of Glasgow, gave the following review of the volume:

This essential work, composed of chapters authored by some of the world’s leading academics in Islamic and Iranian studies, provides a comprehensive analysis of how the Qur’an is received in modern Iran. The collection’s range of topics has been carefully considered, shedding light on modern hermeneutical problems, mystical ways of perceiving the sacred text, and its significance in modern cultural forms including cinema and music, among others. The chapters have been researched with meticulous care to detail. Approaches to the Qur’an in Contemporary Iran looks set to become a classic work.

 

For more information on the contributions to this volume, see the table of contents below:

Introduction: Alessandro Cancian

Section I: Power, Authority and Exegesis

1 Rational-analytical Tafsīr in Modern Iran: The Influence of the Uṣūlī School of Jurisprudence on the Interpretation of the Qur’an 19
Seyfeddin Kara

2 Striving Beyond the Balance (al-Mīzān): Spiritual Practice and the Qur’an in the Ṭabāṭabāʾī Ṭarīqa 41
Sajjad Rizvi

3 Privileging the Qur’an: Divorce and the Hermeneutics of Yūsuf Ṣāniʿī 77
Liyakat Takim

4 Al-Amr bi’l-maʿrūf and the Semiotics of Sovereignty in Contemporary Iran 101
Neguin Yavari

5 The Limits of a ‘Fixed’ Qur’an: The Iranian Religious Intellectual Movement beyond the Historical Methods 123
Banafsheh Madaninejad

6 Soroush’s Theory of Qur’anic Revelation: A Historical-Philosophical Appraisal 149
Yaser Mirdamadi

 

Section II: Alternative Approaches: Between Marginality and Legitimacy

7 A Sufi Defence of the Qur’an: Ḥusayn ʿAlī Shāh’s Rebuttal of Henry Martyn 185
Reza Tabandeh

8 Abrogation and Falsification of Scripture according to Shi‘i Authors in Iraq and Iran (19th–20th Centuries) 225
Rainer Brunner

9 Speaking the Secrets of Sanctity in the Tafsīr of Ṣafī ʿAlī Shāh 243
Nicholas Boylston

10 Exegesis and the Place of Sufism in Nineteenth-Century Twelver Shi‘ism: Sulṭān ʿAlī Shāh Gunābādīand his Bayān al-saʿāda 271
Alessandro Cancian

11 In the Company of the Qur’an by Muḥyī al-Dīn Ilāhī Ghomshei 291
Leonard Lewisohn

 

Section III: The Arts, Material Culture and Everyday Life

12 A Contemporary Illustrated Qur’an: Zenderoudi’s Illustrations of Grosjean’s Translation (1972) 325
Alice Bombardier

13 Women, the Qur’an and the Power of Calligraphy in Contemporary Iran 353
Anna Vanzan

14 The Divine Word on the Screen: Imaging the Qur’an in Iranian Cinema 375
Nacim Pak-Shiraz

15 Notes on Ritual Prayer in Iran: Qunūt Choices among a Group of Shi‘i Women 409
Niloofar Haeri

16 Twelver Shi‘i Women’s Appropriation of the Qur’an in Contemporary Iran 421
Ingvild Flaskerud

17 The Qur’an as an Aesthetical Model in Music? The Case of Muḥammad Riḍā Shajariyān between the Qur’an and radīf 445
Giovanni De Zorzi

Want to read more? Buy this book online.

 

Text accessed and reproduced with the kind permission of Alessandro Cancian.

 

© International Qur’anic Studies Association, 2019. All rights reserved.

 

 

2017 Summer School on Calligraphy and Typeface

Need some intellectual and creative stimulation for the summer? Check out these valuable opportunities at the Kuficpedia School on Islamic Art of Kufic Calligraphy!

session

What? 2017 Summer School on Calligraphy and Typeface
Where? 
Ahwaz, Iran
When? 
14 Jun – 14 Aug 2017

This summer, Vahid M. Jazayeri  will conduct 3 courses to learn Typeface and Islamic calligraphy:

  1. Primary Kufic Calligraphy
  2. – Eastern Kufic Calligraphy
  3. – Logotype and Typeface designing based on traditional calligraphy

About:  Discover the Qalam (Arabic wooden pen) and let it take you on a journey to learn how to write in Primary and Eastern Kufic Calligraphy on Manuscripts as well as how to design typefaces based on traditional calligraphy together with well-established calligrapher Vahid Jazayeri with more than 25 years experience in the field.

5 Things you’ll take Home
1. Learn the history of Calligraphy
2. Get acquainted with the Kufic Calligraphy Alphabet
3. Learn how to use a Qalam (traditional Arabic wooden pen)
4. Learn how to write Kufic Calligraphy and how to design your typeface
5. Create your own written pieces

It is a unique opportunity for those interested to learn how to design logos or typefaces based on traditional calligraphy. The master of the course, Mr. S.M. Vahid M. Jazayeri has more than 25 years of experiences on how to create a combination between traditional calligraphy and modern logo or typeface designing. Mr. S.M. Vahid M. Jazayeri has rediscovered how to write Kufic script with a traditional instrument (Qalam) after hundreds of years. He has several books on Kufic calligraphy and conducted manytutorial workshops in different countries. His professional interest in script and calligraphy stimulated his discovery of the historic method for cutting the Kufic pen, which has had a direct impact on his own work, as seen in a number of well-received exhibitions and workshops.

caligraphy

Kūfic scriptin calligraphy, earliest extant Islamic style of handwritten alphabet that was used by early Muslims to record the Quran. Thisslow-moving, dignified script was also used on tombstones and coins as well as for inscriptions on buildings. Some experts distinguish Kūfi proper from Meccan and Medinese scripts, which were also used to copy the Qurʾān.

Visit the Kuficpedia School’s website for more information!

The text and images on the post were taken courtesy of the Kuficpedia School’s Event Page at http://kuficpedia.org/workshops-and-events/2017-2/school-calligraphy-typeface/?ct=t(Summer_School6_16_2017).